Resting on the Ice

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Staghorn sumac drupe on the ice

Staghorn sumac is a shrub or low tree that has flowers that are replaced with drupes, hard coated seeds with bright red hairs. Don’t they look brilliant against the ice?

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Moss from a tree, or maybe a rock

I’m wanting to learn more about mosses, lichens, and algae. Right now I enjoy the bright green against clear.

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Winter tree litter

Look closer at the “litter” and you’ll see needles and bits of cones from the hemlocks that surround this patch of snow. Someone has been busy: either nibbling animals and pecking birds, or the wind–or both.

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A bee, caught by freezing temperatures

I thought this was another bit of plant or rock, until I took a second look.

Snow and ice are not just white, or clear; items fall to rest on them, things we wouldn’t see if they fell on dark dirt or leaves.

What do you see, when you stop to really look? When you lean in close?

 

Ask Questions–Wait and See

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Bubbles that look like coins and holes. Off Tubbs Pond dock, Partridge Run WMA, East Berne NY

Some of my nature mantras:

Stop and notice.

Be aware of distractions in your head and in the outside world.

Don’t divide your attention. 

Ask questions when something seems unusual. 

Wait and see.

Take it in.

***

In a funk, I walk over to the pond on a quick outing, to see if there are unusual ice formations or quirky fallen over plants or any of my other usual photographic thrills. For several days, the temperatures have hovered just above freezing; a thin sheet of whitened ice rests over mostly liquid water.

Often ice is marked by little shapes or lines where objects have struck or steps been made by pads, claws or boots. Much of it melts, refreezes, and reshapes until it is unidentifiable except as blobs and stretch marks. My heart races to find perfect captured bubbles in a column, breathed upward: exhaled perhaps from winter-slow fish or turtles, or gassy plants at the bottom.

On the ice this time, an odd dark shape on the white—how funny! how curious! Random melting and re-freezing? I move to walk on, but hear quiet gurgling sounds. Could it just be my imagination, or a sound carried from elsewhere? I hear it again.

If I wait, I bet I’ll see something! I hope I’ll see something!

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Pond ice near the Mohawk River

***

The cattail stalks are dry and pale yellow this time of year, the seed heads exploded white out of grainy brown-toasted hot dog buns. I squint to see between them.  Carefully skirting crumbling piles of dog doo, the urban menace to mindless wandering, I move down a bit closer. 

Was that rock there before, in the open water? Time to zoom in with the camera. 

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Curious, what appears among the plants….

A motionless anvil-shaped brown fur head, whiskers spangled with drops of pond water, an eye that looks straight, avoiding my glance. Nothing to see here folks, nope, keep on a-goin’. 

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No, not a rock.

A blink. Then a double blink.

***

We saw a passel of muskrat babies last year, in the tiny stream that feeds the pond. They were well hidden in the green reeds and overgrown plants there, a parent teaching them to forage. Much like I taught my children to travel the train in Chicago: at first with me and in a group, then the group without me, and finally alone, self-reliant. I wonder if this animal is one of the babies or the parents.

***

I could stay there longer at the pond to see what else might happen but chores call, along with a waiting lunch. When I turn my head, SPLURG! SPLUSH! away it goes, a trail of trembling water behind it. Closer, in the cattails, there it is: a fresh muskrat home of knocked over stalks hidden in the standing ones.

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Beavers use sticks, grasses and mud to make lodges; muskrats prefer cattails with their mud.

Off the wet grass, my boots grate and crunch thick salt crystals on concrete. Cold February air nuzzles my exposed cheeks. Wind brings the smell of mud and muck and someone’s wood stove. I smile to glimpse another creature inhabiting its life, like a secret I got to share. I am grateful for the patience with myself–to stand motionless and allow the natural world to reveal itself, doing what it does when I am not here to see.

***

Stop and notice.

Be aware of distractions in your head and in the outside world.

Don’t divide your attention. 

Ask questions when something seems unusual. 

Wait and see.

Take it in.

***

(In re: animal identification–If the ears protruded more I might say it was a beaver–since I can’t see the body’s size. If the nostrils were more rounded and flared I might think river otter. I know that a muskrat is pretty fluffy under the chin, but this animal is soaked. I might be “all wet” myself, in my identification, but I enjoy asking the questions, and absolutely aware I could be incorrect.)

 

Nature Art Show at Emma Thacher Nature Center

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Red oak leaf in ice, on the Red Belly Trail, Partridge Run. Come and see other photos I took  in the winter woods!

On Saturday, March 5, 2016, from 1 to 4 pm, I invite you all to visit Emma Treadwell Thacher Nature Center, 87 Nature Center Way, Voorheesville NY for the opening reception of their 13th annual Nature Art Show. I have three photographs in the show–come celebrate  nature as interpreted by over 50 artists, in the center nestled next to Thacher Lake. The opening reception includes live music and refreshments, and there are trails to walk outside near the nature center or back at John Boyd Thacher State Park (don’t miss the escarpment overlook).

The show runs through March 25 and the Center (free admission!) is open Tuesday through Sunday from 9 to 5.

Directions: If you approach from John Boyd Thacher Park on 157 (off 85/New Scotland Road), you will drive THROUGH Thacher Park, take a right on 256 (Ketcham Road), pass the small Farm Stand on the right, and soon after take a left on Nature Center Road (small sign for Nature Center), which is gravel and leads to the parking area & center.

Surprises on the Path

One of many ponds at Partridge Run, E. Berne NY

One of many ponds at Partridge Run, E. Berne NY

It was small, strikingly bright in the winter sun, and rested on dried yellow grass not far from the pond. A rectangle of the softest gray and white fur shimmered in the January-thaw wind. Belly up. All four pinkish paws poked out of its luxurious coat and curled up off the ground.

And where the head should be, a tiny red triangle of exposed throat. And, well, smooth connective tissue of the neck, and a glistening, smaller than I anticipated, slightly flat brain. No face, no black bead eyes, no whiskered nose.

Whoever slashed the little vole had sharp, surgical tools. It was a quick move, irreversible, with no real struggle. Talons, we figured. An owl, red-tailed hawk, or raven. Interrupted at lunch-time, by us.

I didn’t want to take a picture of it.

On past hikes, we’d followed rabbit tracks out of the cover of woods, where scuffle-marks in the open snow were then followed on the cliff path by isolated splats of bright blood—the creature lifted high, bleeding in the grasp of a raptor. We’d also witnessed evidence of more obvious fights on a path from the winter meadow into the woods: a swath of fluff and blood and bits of intestine. Then drag marks.

Remains of a paper birch.

Remains, of a paper birch.

I never used my camera or mentioned these incidents in my writing. It seemed macabre, somehow. Or just that I didn’t want to make it more or less than it was; perhaps I’d feel the need to editorialize and thereby risk trivializing, just because I’d captured the image. So I didn’t.

But what we came upon this day was so anatomically precise, clear, not savage or frightening. It was open, like the vole’s throat. It was clean, but not scarily. At least, I didn’t think so. I wasn’t sure.

I could always delete the photos later.

I was drawn by the elegant structures exposed. Touched by the fragile exposed. Aware of the anthropomorphic draw to fuzzy creatures, the Oh no! factor where we prefer the cute and baby-like to the musky terrifying bigger-than-us, say bears or bobcats. But I didn’t experience that, either.

I took three pictures. Click, one angle. Move, another angle, click. The macro lens allowed an even closer view, the final click. Still, I felt odd. Reflective, and yet detached.

Maybe the photos would appear flat. Resembling a lab dissection. After all, I could make out bilateral glands at the base of what had been the neck and the thin intact membrane that wrapped the brain.

Maybe I would see it later as an horrific image—mammal with no face. Or voyeuristic. Too much like something a creepy abuser would enjoy, masturbating over someone else’s pain. Or a bystander to something you are not supposed to see, and it is made normal—such as a fellow soldier separated into body parts by explosives.

But the portraits on my computer were plain. Sun on intact downy fur and what was gone, and what was there. I felt merely the witness, witness to this after-death, un-devoured pose.

I didn’t have any nightmares that night, though I thought I might.

Viewing the pictures now, I think sometimes we feel like the little vole looked: laid bare, breakable. And also beautiful. Even in being torn open.

“Here it is. This is the way we exist, live, die. It doesn’t hurt too much right now—at all, actually—after the fact.”

Submerged tree: what you can't see, and what the ice reveals.

Submerged dead tree: what you can’t see, and what the ice reveals.

January Thaw

Acorn cap in the ice, Partridge Run.

Acorn cap in the ice, Partridge Run.

I was struggling. And then I froze.

First in September, October, and November came an extended burst of business activity, wherein I neglected much of my essay writing in favor of creative-writing-to-build-my-new-venture. Stiffening commenced.

A long viral illness ran concurrently.  Rime condensed on the edges of me.

Painful anniversaries blew in; December holidays challenged.  Whether it was the early darkness of the afternoon or the late darkness of the mornings, I slept longer than I wanted to, resistant to pull up and out of heavy-blanketed winter slumber.

The weather turned truly arctic, hikes became sporadic; cookies called my name beseechingly, promising energy, and I answered, too often. (Those no-good sweet-talking sweets.)

Movement slowed to glacial and the yoga attention wavered. Through the swirl of internal storms I couldn’t make out my wonderful new habits.  Extra pounds crept onto my body.

I solidified.

Fall leaf captured by ice.

Red oak leaf captured by ice.

Inside my hardened self, I started worrying:  How can I get back to my contemplative life? Why don’t I have energy to write about things that yes, really do, excite and feed me?

Finally, self-judgment crinkled deep into me, a solid-through, could-drive-a-loaded-semi-on-top-of-my-lake, subzero temperature drop: What’s wrong with me? Am I a failure at all of this? Will my blog join the thousands of “dead” blogs out there?

Perhaps I froze because over the months I would come home from the few hikes and instead of meditating on them, I would be planning yoga classes. Or writing about a workshop. Processing how those classes and workshops succeeded—or didn’t. Corresponding with people. Building networks. Learning my new phone. Applying for tax IDs. Rediscovering aromatherapy, selling products locally.

-Ing, -ing, -ing. A fall-into-winter shower of unique “-ing” shapes that softly, quietly, buried me.

***

Now it is January.  I took a four hour tromp on the melting icy paths looping through the woods and around Tubbs Pond, at Partridge Run.

My hiking partner called the weather a “January thaw.” I’d never experienced that at higher elevations before; just imagined it, from books. Above freezing, the snow melted some and then some more, and streams ran.

The legs were sluggish at first and didn’t want to pick themselves up over frozen upheaved beech and birch leaves, and stones covered by slushy moss.  The hiking partner’s legs protested too.

We walked and walked, up and down. I started to sweat, pulled off layers, walked and walked, got hungry, devoured peanut butter and apples, walked and walked; I walked the worry out of my body, walked until I was so tired by dusk that my eyes could barely focus.

I got to see three ponds I’d not seen before.

And ice. Oh, the ice.

Woods detritus on ice, in ice.

Woods detritus on ice, in ice.

If this were a painting, the brush strokes are magnificent.

If this were a painting, the brush strokes are magnificent.

Harsh angles.

Harsh angles.

Soft blobs.

Amoeba-like blobs.

Broken glass.

Broken glass.

Photo after photo, I lost myself in the teeny tiny: a single leaf on snow, and closer still the ridges of its veins, the iridescence of decomposition, backed by reflective crystals.  Jagged shapes, clear, opaque, rectangles, rounded blobs, layer across layer of frozen, half-frozen, refrozen. Miniature hemlock cones, red pine needles stacked pick-up-sticks style over white pine needles, leaves trapped under bubbles that couldn’t move.

The light--

The light–from below and above.

We two photographers gasped, giggled, and gestured: Look here! It can’t get more amazing—yes it can! I LOVE ICE.

Movement of water captured as it froze.

Movement of water captured as it froze.

The winter sun moved from white to gray across the sky.  We stumbled past Tubbs Pond and cheerily waved goodbye to snowmobile and deer tracks, and the chickadees who flirted from tree to tree.

My cheeks were ruddy, legs exhilarated. Days later, I still feel the warmth of following my instincts, listening to my body’s craving for beauty—and the walking, walking, walking.

I think I’ve been thawed, by the frozen.

Shimmering seeds on snow.

Winged seeds glowing red on snow, ready.