Crocuses and Optimism

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Mid-March crocuses.

I am an optimist. A belt-and-suspenders, prepare for the worst and be glad when it’s not optimist, raised by people only half a generation out from the Great Depression–but nonetheless, an optimist. I look for signs of hope while I choose not to downplay the suffering and unfairness that exist intertwined with that hope. I acknowledge the immensity of so many good things I’ve received, earned or not. 

That’s been helpful during these days of up and down realities and feelings, the strange watchfulness and anxiety—what my fellow writer E.P. Beaumont has described to me as “Big Crisis combined with No Big Motion.” 

All the motion I can do is walk.

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Sky over Sage College, Troy NY, March 2020

Six days ago, I set out for the Sage College campus under a rain-brooding sky. I found my first spring flowers–popped up in a corner bed:  crocuses, so perky and open. Some of them relaxed back, complete with raindrop sparkles (like those too-artful portraits with a single tear on the cheek).

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Picture perfect spring crocus

A few nights later it snowed long and steady here in the Hudson Valley. Six inches or so of moist snow sounded like styrofoam squeaking as I shuffled through it. An umbrella protected from the plops and blops, let go from overloaded trees in the dark. 

I thought of my crocuses and found them, as expected, buried and flattened under the snow. 

Such a sadness. Did it portend or just reflect the horrors we are facing?

I noted what I found, felt it, and went on to tromp through the snow some more; I wondered at the thick white frosting on spring budded trees and even smiled at the usual landmarks softened in golden streetlight glow.

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Other spring bulbs weighted by the snow

In daylight, the weather warmed and the snow melted away almost entirely. I went back, concerned at what I might or might not find.

There they were: beaten, torn, down in the mud. MY crocuses; it hurt to see them damaged, some flowers not coming back.

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Flattened and bruised.

However, the mud, often disparaged, is for growing. I found another bunch of bulbs that had sprung back with vigor. 

Some of the flowers will not return. Some will come back next year. Some are already OK.

I hear the message:  appreciate what you can while you can. Feel what you feel, move your body, hold both the optimism and the bad news. 

And dammit, take the precautions, be belt-and-suspenders! Do not weary of what will keep ALL of us vulnerable humans (those tender purple petals, every precious last one!) safe and able to blossom again.

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We’re in the middle of the storm. Keep the lamp on for each other.

 

The Ending of Tulips–and the Beginning

This is where I need to be right now, not perfect and remarked upon- instead of Oh my isn’t SHE marvelous!, but blown open, curled back, the wind on me, the rain on me, feeling it all and not being afraid of it.

This is where I need to be right now, not perfect and remarked upon–not hearing Oh my isn’t SHE marvelously whole!; instead: blown open, curled back, the wind and rain on me, feeling everything full-on, letting the fear go.

I never saw the tulips this year–not in their full form, anyway.

My monthly book club rotates houses, and traditionally in spring one particular member hosts whose home and spectacular gardens overlook the Hudson River. Masses of sunset colored, black, and pink-with-white tulips usually quiver in the water-side breezes along with flowering Japanese plum, bleeding heart, and rhododendrons.

After discussion of racism and The Warmth of Other Suns; after mimosas, white asparagus, quiche, and lemon cake, I wandered outside.

Rain splashed these purple rhododendron flowers to the gravel path. Upside down, they glow pretty on the ground.

Rain splashed these purple rhododendron flowers to the gravel path. Upside down, they glow pretty on the ground.

Though eyeful after eyeful of azaleas still sparkled in this Mother’s Day-morning rain, the tulips were finished.

Something unexpected revealed itself in the decaying blooms.

From shimmering swaths of bright colors, the tulips had individuated, dying back in distinctive ways: petals twisted here, leaves dropped there, a broken stem over yonder.

They were beautiful. They reminded me of–myself.

Exposed and fragile. Roots deeply set months before, underground, unobserved.

Dying in the present, shifting to new forms of being.

As no-longer-useful parts wither and fall, the hidden bulb is beginning to prepare for next season’s growth spurt.

discolored, browning areas showing inevitable desiccation, but even as they slump ground-ward, the petals flow twisted like a woman’s pashmina wrapping around her in a windstorm, sections resting in a different balance from the original.

Discolored, browning areas preview inevitable desiccation, but even as they slump ground-ward, the petals flow, twisted like a woman’s pashmina wrapping around her in a windstorm, petal sections balancing differently from the original cup-shape.

collapsing lopsided like a blimp or balloon, taking up more width, deflating and yet expanding, a large fabric sheet caught by the wind on one side, taking a bow. free to curl and twist now, as moisture escapes. is the color more or less intense?

Collapsing lopsided like a blimp or balloon, taking up more width, deflating and yet expanding. Free to curl and twirl now, as moisture escapes. Is the color more or less intense?

like a child hiding under a floppy hat, peek a boo with three anthers a-tumble

Like a child hiding under a floppy hat, peek a boo with three anthers a-tumble.

 the petals wilted into a swirling skirt, rolled frills made of the edges, the ANTHERS ON THEIR FILAMENTS resting on top of the skirt, if the bottom of the green  stalk-shaped style were a waist. Dance, movement, now rest.

The petals have wilted into a swirling skirt with rolled frilly edges. If the bottom of the green stalk-shaped style were a waist, the yellow anthers on their filaments are multiple arms in repose, between dances. Movement, now rest.

After five weeks recovering from and growing into the immensity of Part One, quietly studying and practice-teaching and building my skills, very soon I return for Yoga Teacher Training Part Two.

Exposed and fragile. Roots deeply set months before now, unobserved by most.

Dying in the present, shifting to new forms of being.

As no-longer-useful parts shrivel and fall away, my inner self begins to prepare for this next period of growth.

Yes.

the fully exposed center style with a yellow stigma topping it, with two perfectly formed black anthers hanging: the anthers resemble two useless paddle-hands, or two clown feet hanging.  Perfectly formed above the anthers, the pistil (the stigma and the style together) that now is bravely unprotected in the garden. /vulnerable/ uncovered/ exposed

The center style is topped by a pale yellow stigma, and two perfectly formed black anthers hang from withered filaments below. Vulnerable, and yet confidently humorous–if I may anthropomorphize a bit more–they resemble two paddle-hands, or clown feet hanging. What sly comment does this former-flower want to share about the next round of colored tulip-cups?